One of the most influential pianists of the twentieth century, Thelonious Monk had a idiosyncratic improvisational style and made numerous contributions to the standard jazz repertoire. Epitomising artistic originality, candid eccentricity and indifference to conventional rules of performance, Thelonious Monk emerged in the 1940s to become one of the high priests of bebop. Thelonious Monk was born on October 10, 1917 in Rocky Mount, North Carolina. Thelonious Monk composed over 70 compositions, all imbued with his distinct compositional style. Your email address will not be published. Movement: A mixture of arpeggiation, leaps, and chromatic movement in both direction. By using uncommon substitutions and displacing the harmonic rhythm, Monk’s chords have a sense of deliberate conflict. The resolution at the end of the B-section is an Eb major chord, or a “Picardy third” even though the previous theme has been minor. In measure 11-12, the Cb appears again, but since it’s supported by a Db harmony, it’s a b7 which fits right in. However, by what metric is his performing idiosyncratic, or, framed another way, in what ways do AVID Jazz presents four classic Thelonious Monk albums on a finely re-mastered and low priced double CD. Not only is it the highest note in the line, but it is a conflicting non-chord tone used as an upper neighbor in measures 9, 10, 13 and 14. There are three repetitions of the same rhythm, always starting on the upbeat of 2 or 4, followed by a short 2-bar turnaround after. The progression in the first 8 bars is quite standard : I – iii – VI – ii – V (no resolution here, half-cadence). We see the Eb major again in measure 21, beats 3 & 4. He’s probably referring to the ‘Just You Just Me’ changes, whereas Monk is all over the map. The first is the intervallic pattern played over the Fm7 chord in bar one of the line. Many of his compositions, which were generally written in the 12-bar blues or the 32-bar ballad form, became jazz standards. The harmonic rhythm speeds up and starts to move in half notes in measures 4-6. those by Dizzy Gillespie, Charlie Parker, and Miles Davis. All this creates a floating, slightly disorienting feel, yet still maintains a consistent song structure. As played by Monk, the theme soon turn into a paraphrase/improvisation. In the A-section, there are many accented upbeats and tied notes. Thelonious Monk Quartet’s 1963 album on Columbia Records. Although the intervals are changing, the contour of the line stays the same. Recognized as one of the most original musicians in American history, Thelonious Sphere Monk fashioned a startlingly unique, inimitable playing and composing style that influenced virtually every succeeding jazz generation. Check your inbox for a confirmation e-mail, 3. CD1 kicks off in fine style with ‘Thelonious Monk Plays The Music Of Duke Ellington’ recorded in New Jersey way back in 1955. Thelonious Monk with Sonny Rollins and Frank Foster - Monk (7xFile, MP3, RE, RM, 320) Original Jazz Classics , Prestige , Prestige , Universal Music Group International OJC-016, P-7053, LP 7053, 00888072361942 Measures 1 and 3 are in natural minor, whereas measure 2 and 4 are in melodic minor: Fm (I in natural minor) – Fm/M (I in melodic minor) – Fm7 (I in natural minor), Bb7 (IV in melodic minor) Eb7 (IV7 in melodic minor) – Ab6 (III in natural minor/I in relative major). For much of his career, Monk played with small groups at … His eyes are hooded with an abstract sleepiness, his lips are pursed in a meditative O,” describes Barry Farrell in his 1964 Time Magazine article. 9 . Step-by-step lessons to master jazz theory, Learn the blues, jazz blues, funk, & gospel, Seminars, workshops, and live Q&A sessions, Syllabuses to guide your learning journey, learn to play your favourite tunes & songs. https://www.udiscovermusic.com/stories/best-thelonious-monk-pieces During the A-section, the ii – V progression shifts down chromatically. Monk likes to recycle melodic material. It exploits those same complexities found in his music to create a perfect blend of fresh ginger, almonds and the health benefits of each to create a brittle that will complement your palate in the same way that jazz feeds your soul. Join PianoGroove Pro to access all downloads and learning resources. Monk's prolific compositions and improvisations are full of dissonant harmonies and angular melodic twists. Thelonious Monk was born on October 10, 1917 in Rocky Mount, North Carolina. He knew exactly what he wanted to play and how he wanted to play it. With a melody built entirely upon the interval of a sixth, this blues head is extremely … His feet stir in a soft shuffle, spinning him slowly in small circles. The soloists dictate the feel. Bbm7 – Eb7 – Ab6 (ii – V – I in the relative major, Ab). B-alt. Evidence, In Walked Bud, Monk's composition, Monk's piano, Monk's style, Round Midnight, Thelonious Monk, Well You Needn't. Rank. During his time with Blue Note, Monk recorded a host of titles for Prestige including Thelonious Monk Plays and Sonny Rollins and Thelonious Monk. When asked about it, Monk replied, “I get tired of sitting at the piano. Thelonious Monk >Along with Charlie Parker and Dizzy Gillespie [1], Thelonious Monk >(1917-1982) was a vital member of the jazz revolution which took place in >the early 1940s. Another distinctive element of his playing is an extremely strong time feel. ✊Empower Yourself & Play Better Piano Today!???????? (ex. Each of these titles reflected Monk’s trademark playing style, which incorporated silence and dissonance as forms of self-expression. Orrin Keepnews, from an interview on, Main Theme from “Angry Birds” (Popular mobile game from Rovio), Sway (Quein Sera) [Re-popularized by Michael Buble], The Rainbow Connection (from “The Muppet Movie”). User Ratings (0) Your Rating. Thelonious Monk was one of the most revered pianists in jazz, with a peerless career that showcased his improvisational style. Unusual approaches to harmony, melody, and rhythm give Monk a particular asymmetry that continues to be a heavy influence on the music scene. The tune was initially titled "Classified Information", but he opted to retitle it as "Worry Later", when recording it for the first time on April 29, 1960, for the album Thelonious Monk at the Blackhawk. This could potentially sound quite atonal, but it doesn’t since it’s supported by ii-V harmonies. In the B-section, the harmonic rhythm slows down and changes every 2 measures as the melodic rhythm becomes more active with quarters, eighths, and sets of triplets. Monk ends the A-section on a V7/V chord, which projects the movement to the B-section beginning on Bb minor. Add to Custom List. Monk has named Duke Ellington and James P. Johnson as his influences, among others, and I have heard stories about the great Mary Lou Williams being Monk’s teacher. “Solo Monk”, recorded between October 31, 1964 and March 2, 1965, was Thelonious Monk’s eighth album with Columbia Records. His unorthodox approach to the piano … Also interesting to note are the overall similariteies in the melodic contour and pacing of these two compositions. is mainly composed of tritone substitutions, but the harmonic direction changes a half measure earlier than in the original. My Style Hero: Thelonious Monk – A&H Magazine. Section-B has a lot more stepwise motion. His badly written birth certificate misspelled his first name as "Thelious" or "Thelius". This ii V I line, featuring only chords from the tonic major key this time, uses two common Monk techniques in its construction. Why it’s daunting: The brilliant but troubled bebop pioneer and jazz pianist-composer Thelonious Monk has never been easy to understand. This demonstrates how displacing the harmonic rhythm can completely transform the same chord pattern. In trademark Thelonious style, the album went on to be his first commercial success, and yet the iconic titular track happened to be so hard to play that it couldn’t be achieved in one take. He sometimes flattened his fingers when he played the piano and used his elbows and forearms to get the sound he wanted. Many of Monk’s harmonic ideas were influenced by Art Tatum, whose chords were strengthened by the use of varied voicings, added notes, passing chords and substitutions. The melody dances around the diminished 5th interval in measures 17 and 19. Monk’s artistic vision was very strong. A brother, Thomas, was born in January 1920. This repeats twice then continues down. Margo Guryan also wrote lyrics for the tune. For a Monk tune, the rhythm here is considerably more straight-forward. Although the quality of the chords don’t remain consistent with the key signature, the consistent perfect fourth root motion holds it together. Thelonious Monk’s Round Midnight contains lots of interesting chord changes. Many melodies are written creatively over blues or rhythm changes, while others are distinct originals or lyrical ballads. All Rights Reserved. Countering those who found Monk’s percussive, splay-fingered playing style untutored and crude, Juilliard-trained composer Hall Overton was among those who … During interviews he seemed aloof and would often go for days without speaking to a soul. This field is for validation purposes and should be left unchanged. Introduction. Thelonious Crunch incorporates the unique improvisational style of Monk. His eyes are hooded with an abstract sleepiness, his lips are pursed in a meditative O,” describes Barry Farrell in his 1964, Monk didn’t give much instruction or direction to his band, and musicians sometimes had a hard time following. SuperRare is a blockchain based marketplace to collect and trade unique, single-edition digital artworks. This is a common technique used in songwriting that dates back as far as the Renaissance. Bars 7 and 8 of the intro a double bass break. The Bm7 and the E7 are upper embellishments of the V7 – I7 (V7 of IV). His performing is idiosyncratic, to say the least. The melody in the first bar outlines a Bb-suspended chord. Thelonious Sphere Monk was an American composer and jazz pianist who contributed to the cool jazz, hard bop, and bebop styles of music. This tune has a repetitive phrase structure. In contrast to ‘RoundMidnight,’ this song is based on half-steps. The initial harmonic progression is i – vi – ii7 – V7. 2) The theme, taken by piano, is given as played, but th harmony parts played by trumpet and sax have been omitted. The first three measures of the A-section are simply 3-note riffs moving in oblique motion. The A-section has short, 3 note riffs consisting of eighth notes, beginning each bit with a staccato note. This creates a looping effect, further enhanced as the repetitions get closer together. Each of Monk’s compositions have a personality that can be difficult for a perfomer to bring out, despite their seemingly simple qualities. The re-harmonized B-section contains a lot of #7’s and b9’s. Thelonious Monk is one of the greatest jazz musicians of all time and one of first creators of modern jazz and bebop. Add to My Collection. Reply Notify me 1 Helpful The F7 is therefore acting as a pivot chord. Some of his contributions include : ‘Ask Me Now’, ‘Little Rootie Tootie’, ‘Evidence’, ‘Rhythm-A-Ning’, and ‘Well You Needn’t’. [5] In 1922, the family moved to 243 West 63rd Street, in Manhattan, New York City. Thelonious Sphere Monk (Rocky Mount, North Carolina 10th October 1917 - Hartsdale, New York 17th February 1982) was a jazz pianist and composer. # theloniousmonk # candy The rhythm seems to alternate between two contrasting feels: dreamy (due to the rolling triplets) and precise (because of the sixteenth notes on beat 2). His most frequently played songs include ‘Round Midnight, I Mean You, Blue Monk, Straight No Chaser and Evidence. An ‘average’ version of the melody has been added as a top line above the piano part for comparison. If you listen to jazz, you are familiar with the work of Thelonious Monk.Famous for his style in both music and wardrobe, the American pianist and composer is the second most recorded jazz artist after Duke Ellington.If you consider that Ellington composed more than 1,000 pieces of music and Monk wrote about 70, it says a lot about the enduring power of this composer’s works. He is one of the most important figures in the development of bebop and modern jazz. Kelley's new book, Thelonious Monk: The Life and Times of an American Original, focuses on the career of the eccentric jazz pianist and composer. See index. Culture& commemorates the centenary of the birth of jazz composer Thelonious Monk. Thelonious Monk was born October 10, 1917 in Rocky Mount, North Carolina, the son of Thelonious and Barbara Monk, two years after his sister Marion. Thelonious Monk was born on October 10th, 1917 and died on February 17th, 1982. 0. Measures 15 &16 seem like inserted bonus material, delaying the measures we were expecting. The version I have included is based on his 1947 Blue Note recording, as transcribed by Lionel Grigson. Monk was indeed eccentric, both in his playing and social habits. Further Reading: Measure 7, beats 1 & 2 make use of unstable tritones against the root note. So complicated are some of Monk’s space-filled, harmonically advanced compositions that very few musicians are able to truly represent them. Tonality: Primarily minor, with a parallel major tonic chord at the end of A2 and B. These include Evidence, Blue Monk, Well You Needn’t, Ask Me Now and ‘Round Midnight. Great records to check out are At Carnegie Hall, Brilliant Corners, Thelonious Monk With John Coltrane, Solo Monk and Underground. His playing experience developed into a compositional tool. Thelonious Monk’s style has been considered non-conformist, modernist, technically stilted, intentionally unconventional, even incompetent. Some people speculate that a reason for his sour harmonies are a result of early attempts at playing stride when his hands were still too small to hit a clean octave. Orrin Keepnews, from an interview on NPR explains, “…the problem that musicians had, right along with me, is that this was incredibly difficult music and Monk was a man who I believe sincerely did not understand that it was difficult music.”. 1 Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson. Monk started playing the piano at the age of six. Written in the key of Eb Minor, there are 6 flats to watch out for! What is the reason for this deliberate change? It reveals new details about Monk… admin Poet and jazz aficionado Philip Larkin once affectionately described him as “the elephant at the keyboard”, and it’s easy to see why. The first note descends by half-step while the top note remains a C. In measure four, the top note starts to descend as well. This piece is definitely performance based. Most of his career Monk worked as a leader, usually in quartet settings, but he also recorded solo piano, trios and even big band. Monk’s piano style, with its crunchy dissonances, forceful attack, open spaces, and off-kilter rhythms, has deeply imprinted itself both on pianists and on other instrumentalists and vocalists. It’s also evident in the melody of ‘Straight, No Chaser,’ and the rhythm in ‘Blue Monk.’. In measure 24, beats 3 & 4, the chords could be perceived as part of Eb major or Eb melodic minor, another example of Monk blurring major and minor. “…he would rise from the piano to perform his Monkish dance. Monk, is a well-known drummer who has been extremely active in establishing the Thelonious Monk Foundation in memory of his father. Just enter your e-mail address, 2. Thelonious Monk Lick 3. October 29, 2009 Mostly self taught, Monk played church organ while touring with an evangelist and in his late teens started playing jazz. 4-Packs. Monk copied Irving Berlin’s descending line on this tune, which is based on the changes of ‘Blue Skies.’, Movement: A-section utilizes element from F natural and melodic minor, B-section follows typical minor blues turnaround (bVI-V). Here Monk takes on an entire album of Ellington standards foregoing any of his own classic compositions in homage to the great man! The last 2 bars of A2 are different than than A1. Thelonious Monk’s incredible career saw him pioneer a uniquely percussive approach to the piano and write several jazz standards. Another example of this is the simplicity of Johnny Griffin’s solo. He notes the following alterations from the recording: “1) The overlapping alto sax and trumpet phrases of the recorded intro have been replaced by a single top line, above the piano part as played. The ‘answer’ section is carried on into the B-section. Monk never spoke to his audience and rarely granted interviews—he preferred to let his music speak for itself. Robin D.G. He made no distinction between seriousness and humor in his musical statements, and critics easily dismissed him. Monk's unique piano style and his talent as a composer made >him a leader in the development of modern jazz. In this lesson we will take a look at pianist and composer Thelonious Monk. The sign-up form is just above on the right: 1. Sign up for a copy of my F.R.E.E. This was the first real experimentation Monk conducted, playing with chordal and rh-c structures. In a Columbia recording from February 1965, Monk’s solo sounds very earthy and primitive because of all the roots, thirds, and fifths he plays. The melody is is primarily based on chord tones. Many bebop players of Monk’s time were playing fast, smooth rhythms, trying to fit in the maximum number of notes. Unusual approaches to harmony, melody, and rhythm give Monk a particular asymmetry that continues to be a heavy influence on the music scene. The downbeat seems to be intentionally hidden. E-book! Thelonious Monk was born October 10, 1917 in Rocky Mount, North Carolina, the son of Thelonious and Barbara Monk, two years after his sister Marion. Keep Living the Music :). A brother, Thomas, was born in January 1920. Monk composed this well-known jazz ballad when he was in his teens. This whole pattern occurs again at the beginning of the B-section. US & Canada: +1 888 616 5371, © 2021 Copyright PianoGroove. (This coda may be by Gillespie rather than Monk).”. Monk might have started descending earlier in order to avoid playing an F (root) chord, which would not have had much contrast. The pattern repeats in measures 15-16. There is a two note riff that Monk moves up and down the keyboard. The 32nd notes blooming in the accompaniment are most likely a result of Monk’s style and skill. date: 1947 style: Thelonious Monk form: 36-bar AABA (the bridge and the last A section are 10, rather than 8, bars long) personnel: Idrees Sulieman, trumpet; Danny Quebec West, alto sax; Billy Smith, tenor sax; Thelonious Monk, piano; Gene Ramey, bass; Art Blakey, drums. Many players of the time would superimpose one melody over another, which engages the listener. Monk didn’t give much instruction or direction to his band, and musicians sometimes had a hard time following. Content Count 2 Joined February 20, 2018; Last visited August 25, 2019; About Thelonious Monk. 3) The recording finishes, oddly, with an 8-bar piano solo after the theme. 1921. Choose from Jazz sheet music for such popular songs as All the Things You Are, 'Round Midnight, and Blue Monk. The B-section then uses the missing end scraps from A2 as the beginning of the bridge, except that the first two beats have shifted rhythm. Thelonious Monk was born on October 10th, 1917 and died on February 17th, 1982. Thelonious Monk Quartet with John Coltrane At Carnegie Hall (Blue Note, 2005) Great music history AND great music right from the principals' delicate duet in the opening "Monk's Mood." The following work is a study of the composer Thelonious Monk through his musical output. There is a segment of the intro melody that bares a striking resemblance to Dizzy Gillespie’s solo in ‘I Can’t Get Started.’ (Ken Burns Jazz Series, track 4, 2:38). Rhythmic displacement can be a very effective tool when improvising - try playing a phrase and then repeat it starting on a different beat of the bar. It is always the same. with all tritone subs, which would be more predictable. His unique improvisational style as well as his compositions have influenced almost every jazz musician since. The progression is Bm7- E7 – Bbm7 – Eb7. Thelonious Monk >Along with Charlie Parker and Dizzy Gillespie [1], Thelonious Monk >(1917-1982) was a vital member of the jazz revolution which took place in >the early 1940s. Available in a handsome 750 ml bottle with crown and capsule finish or 12 oz. Measure 3 outlines an Ebm7 with an added 6. Both approach the root by [m7-3-R], but the second one descends to the root instead of going up. This line shows B-alt. He was an absolute master of the AABA form. It consisted of Jimmy Wright on tenor sax, "Massapequa" on bass, and William "Keg'' Purnell on drums. Some suggest that Monk’s dancing was almost as great as his writing or playing. Thelonious Monk San Francisco Holiday . His head rolls back until hat brim meets collar, while with both hands he twists his goatee into a sharp black scabbard. measure 8). CD1 kicks off in fine style with ‘Thelonious Monk Plays The Music Of Duke Ellington’ recorded in New Jersey way back in 1955. Many of Monk's compositions contain their own challenges and idiosyncrasies. Overview ↓ User Reviews ↓ Credits ↓ Releases ↓ Similar Albums ↓ Share on facebook; twitter; tumblr; AllMusic Review by AllMusic. Chordal and rh-c structures Reviews ↓ Credits ↓ Releases ↓ Similar Albums ↓ Share on facebook ; twitter tumblr! On February 17th, 1982 that Monk ’ s Playhouse Criss Cross making the end of the band was.! Silence and dissonance as forms of self-expression in thelonious monk style one of the jazz repertoire oblique motion composition and his as. First bar outlines a Bb-suspended chord a section uses I-iii-VI-ii-V, B section cycles II-V progression Carolina! Sample lesson and a PDF download distinct compositional style the horn line, which is characteristic of Monk so the! T give much instruction or direction to his band, and chromatic movement in both.! Sometimes had a tendency to report on his bizarre habits more frequently his... `` 7 Ways to become a Better Pop/Jazz pianist '' today!????????! Ballad when he played the piano or rhythm changes, movement: a section uses I-iii-VI-ii-V B... Rhythmic and harmonic conception print instantly, or sync to our FREE,. Which projects the movement to the ‘ answer ’ section is carried on into the B-section the. In this browser for the next time I comment check out are at Hall. Characteristic of Monk 's unique piano style and his talent as a composer made > him a leader the... The ‘ Just You Just Me ’ changes, while with both hands he twists his into! Teens started playing jazz expansion is a common trait in his compositional.. … Thelonious Monk ; Thelonious Monk was also one of the line into a heavy downbeat one. Embellishments of the most revered pianists in jazz piano at the epicentre of these two bars is same... 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Chromatic movement in both direction transform the same chord pattern artists who are inimitable, and musicians had... Is an extremely strong time feel 10 thelonious monk style 1917 and died on February 17th,.! The resolution at the epicentre of these two compositions pianists in jazz with! His compositions have influenced almost every jazz musician since from the origins of bebop and modern jazz back until brim.